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A Veranda feature tours the Dallas Colonial home that artist Donald Robertson shares with his wife, Kimberly Gieske, and their family. Designer Cathy Kincaid helped blend the couple’s traditional furnishings with colorful art, family-made work and humorous details.
Veranda has published a tour of fashion illustrator and pop artist Donald Robertson’s Dallas home, showing how designer Cathy Kincaid brought together a traditional Colonial interior, the couple’s existing furnishings and a lively mix of artwork. Robertson shares the house with his wife, Kimberly Gieske, and their family.
The family moved to Texas during the COVID-era migration from California, according to Veranda’s report. Gieske had favored Lake Forest, Illinois, while Robertson said Dallas offered a similar traditional character without Lake Forest’s cold and wind. The couple agreed on a clapboard Colonial, whose symmetry appealed to Robertson as a counterpoint to his busy art studio.
Kincaid described the project as a collaboration with clients who had clear, sometimes different preferences. She said her role was to interpret their ideas and give them the best version of what they wanted. The report presents the result as a home that balances traditional design and playful details, rather than treating either style as the sole direction.
One key step was rearranging and combining pieces the family already owned. Kincaid worked with longtime stylist Charlie Birdsong, whom she called her “secret weapon.” Birdsong, who worked with Kincaid for more than 35 years, died in late 2022, the report says. The team also incorporated art by Robertson, the couple’s children and other artists, alongside vintage furnishings and textiles.
A Family Home Built Around Contrast
The tour’s central point is the way the design makes room for two different tastes: Gieske’s preference for order and Robertson’s fondness for humor and visual risk. Robertson told Veranda that decorating was the one subject he and Gieske argued about. Before Kincaid’s involvement, he said, artwork he hung could disappear from the house and turn up at a neighbor’s home.
The finished rooms show how a designer can work with existing possessions and family-made art instead of imposing a single look. Children’s paintings appear alongside professional work; vintage pieces sit near contemporary ones; and conventional rooms contain unexpected colors, materials or objects. For readers, the report offers a specific example of a home shaped around its residents’ habits and collections, not just a formal style.
It is also a record of a collaboration involving a late stylist. Birdsong’s contribution, as described by Kincaid and Robertson, was to make the family’s diverse pieces work together. The article does not suggest that his role can be separated from the project’s broader team effort.
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From California to a Dallas Colonial
The Robertsons’ move followed a broader period of relocation during the pandemic, but the source describes this family’s decision rather than providing figures about migration. Dallas appealed because it offered the kind of traditional home they wanted. Robertson, who is Canadian, told Veranda that the house’s symmetry helped offset the energy of his studio.
Kincaid’s work drew on the couple’s existing art and furnishings, then filled gaps with selected fabrics and pieces. The report highlights combinations across the house: a taupe patterned wallcovering in the dining room, a mix of traditional and contemporary furniture, and a boys’ bedroom pairing soft wallpaper with a bold abstract by artist Sebo Walker. The family room includes artwork by Robertson and their sons.
These details support the article’s description of the interior as collected and personal. They are examples from the home tour, not evidence that the rooms or furnishings are available for purchase.
“They had clear ideas, and I was there to help interpret that vision.”
— Designer Cathy Kincaid, as quoted by Veranda
Details the Tour Does Not Establish
The source is a design feature, not a real estate listing or a report on a property sale. It does not provide the home’s address, purchase price, current market value, or whether the house is available to visit or buy. It also gives no construction or renovation timeline.
The article identifies some designers, artists and materials, but it does not provide a full inventory of the home’s contents or the cost of the project. The source also does not state a publication date, so the timing of the tour cannot be pinned down beyond its appearance in Veranda.
The Home Tour’s Next Step
The immediate development is the publication of Veranda’s home tour. The source does not announce a sale, renovation, public event or follow-up project involving the house. Readers can use the feature to see the rooms and learn how Kincaid, Birdsong and the family combined the home’s existing pieces with selected furnishings and artwork.
No further milestone is identified in the report. Any information about the property’s future, the family’s plans or additional design work remains unreported.
Key Questions
Whose Dallas home is featured?
The Veranda tour features the home of artist Donald Robertson, his wife Kimberly Gieske and their family.
Who designed the interiors?
Cathy Kincaid led the design work. She collaborated with the couple and worked with longtime stylist Charlie Birdsong to rearrange their existing furnishings and art.
What is the home’s style?
The house is a traditional clapboard Colonial. Its interiors combine traditional furnishings with colorful contemporary art, family-made work and humorous details.
Is the Dallas house for sale?
The source does not say that the home is for sale. Veranda’s article is a design tour, not a real estate listing.
When did the family move to Dallas?
The report says the family moved from California to Texas during the COVID-era migration, but it does not give a specific date.
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